Toutes peintures ā l'huile d'Miranda, Juan Carreno de


ID Image Painting(From A to Z)    Details 
64294  
Miranda, Juan Carreno de, barnabe' de ochoa de chinchetru yfernandez de zuniga
 
 barnabe' de ochoa de chinchetru yfernandez de zuniga   1660 new york, hispanic society of america
87378  
Miranda, Juan Carreno de, Belshazzar's Feast
 
 Belshazzar's Feast   17th century Medium Oil on canvas cyf
43810  
Miranda, Juan Carreno de, Charles II as Grandmaster of the Golden Fleece
 
 Charles II as Grandmaster of the Golden Fleece   1677 Oil on canvas, 217 x 141 cm
32938  
Miranda, Juan Carreno de, Charles II As Grandmaster ofthe Golden Fleece
 
 Charles II As Grandmaster ofthe Golden Fleece   mk84 1677 Rohrau, canvas 217x141cm
32281  
Miranda, Juan Carreno de, Duke of Pastrana
 
 Duke of Pastrana   Oil on canvas, 217 x 155 cm
32284  
Miranda, Juan Carreno de, Eugenia Martinez Valleji, called La Monstrua
 
 Eugenia Martinez Valleji, called La Monstrua   Oil on canvas, 165 x 107 cm
32279  
Miranda, Juan Carreno de, King Charles II of Spain
 
 King Charles II of Spain   c. 1650 Oil on canvas, 78 x 65 cm
32285  
Miranda, Juan Carreno de, La Monstrua Desnuda
 
 La Monstrua Desnuda   Oil on canvas, 165 x 108 cm
77695  
Miranda, Juan Carreno de, La reina Mariana de Austria de luto
 
 La reina Mariana de Austria de luto   Date 1669(1669) Medium Oil on canvas Dimensions 211 ?? 125 cm (83.1 ?? 49.2 in) cyf
32924  
Miranda, Juan Carreno de, Mass of St.Fohn of Matha
 
 Mass of St.Fohn of Matha   mk84 1666 Paris,Musee du Louvre,canvas 500x315cm
19456  
Miranda, Juan Carreno de, Peter Ivanovich Potemkin
 
 Peter Ivanovich Potemkin   1681-82 Oil on canvas Museo del Prado, Madrid.
28094  
Miranda, Juan Carreno de, Peter Ivanovich Potemkin
 
 Peter Ivanovich Potemkin   mk61 c.1681-1682 Oil on canvas 204x120cm
78205  
Miranda, Juan Carreno de, Portrait of a lady with a lapdog and pistol
 
 Portrait of a lady with a lapdog and pistol   ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
19455  
Miranda, Juan Carreno de, Portrait of Charles II
 
 Portrait of Charles II   1676 Oil on canvas Museo del Prado, Madrid.
28093  
Miranda, Juan Carreno de, Portrait of Charles II
 
 Portrait of Charles II   mk61 c.1676 Oil on canvas 201x141cm
56241  
Miranda, Juan Carreno de, portrait of emperor pedro ll
 
 portrait of emperor pedro ll   mk247 1855,oil on canvas,private collection
83609  
Miranda, Juan Carreno de, Portrait of Francisca de Velasco
 
 Portrait of Francisca de Velasco   17th century Dimensions 2.4 x 1.82 cm (0.9 x 0.7 in) cyf
77926  
Miranda, Juan Carreno de, Portrait of Queen Mariana de Austria as a Widow
 
 Portrait of Queen Mariana de Austria as a Widow   Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
81483  
Miranda, Juan Carreno de, Portrait of Queen Mariana de Austria as a Widow
 
 Portrait of Queen Mariana de Austria as a Widow   1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
79015  
Miranda, Juan Carreno de, Portrait of the Duke of Pastrana
 
 Portrait of the Duke of Pastrana   Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
79704  
Miranda, Juan Carreno de, Portrait of the Duke of Pastrana
 
 Portrait of the Duke of Pastrana   Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
84378  
Miranda, Juan Carreno de, Portrait of the Duke of Pastrana
 
 Portrait of the Duke of Pastrana   Date 1666-70 Medium Oil on canvas Dimensions 217 x 155 cm (85.4 x 61 in) cjr
84288  
Miranda, Juan Carreno de, Queen consort of Spain
 
 Queen consort of Spain   17th century Medium Oil cyf
19454  
Miranda, Juan Carreno de, Saint Sebastian
 
 Saint Sebastian   1656 Oil on canvas Museo del Prado, Madrid.

Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion



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